Welcome to my professional portfolio

Below, you will find my creative universe: from inspirations, moodboards, and research to textiles, including a detailed section on pattern making. You can also explore some of my creations and design projects developed over the past three years.

I'm inspired by the potential of this quiet palette and the contrast between dark tones and light beige. These colors evoke a sense of purity and serenity. With a focus on volume and textile textures, this range offers huge creative potential and fuels my imagination

Being a fashion designer means knowing which fabrics will make the best clothes. I am particularly drawn to silk, the delicate feel of lace, and the intricate relief of brocade. For me, inspiration starts with the fabric; touching and experimenting with different materials is where my best design ideas come to life.

I have a profound interest in 18th and early 19th-century fashion. I am captivated by the play on volumes, the art of layering, and the intricate beauty of period corsetry. The richness of the fabrics and the diversity of historical accessories are a constant source of inspiration for me. This era’s unique aesthetic deeply influences my creative vision, allowing me to blend historical elegance with contemporary design.

I wanted to create a moodboard representative of Art Nouveau, a movement that deeply inspires me. During this period, architecture and fashion evolved together, bringing a true revolution to the history of clothing. What I particularly appreciate in Art Nouveau architecture are the neat, curved lines and the intricate furniture details that create the movement's signature.In parallel, womenswear joined these trends to reveal an elegant silhouette: cuts became more fluid, comfortable, and pleasant to wear for cocktail evenings. I love how architectural craftsmanship was worked into fashion to align with these new trends.

This moodboard focuses on the architecture of churches and cathedrals. I am fascinated by the towering pillars and the perfectly symmetrical, aligned arches. For me, the stained-glass windows represent the quintessence of these structures, elevating the entire building through their imagery. The altar, always beautifully adorned with linens, candles, and biblical texts, inspires my approach to fabric and drapery. I dream of traveling back in time to explore the history of these constructions, crafted by the hands of exceptionally talented artisans.

My work is influenced by three specific designers who embody my aesthetic. I love their sense of color, their choice of fluid textiles, and the structured silhouettes of their corsets and coats. They demonstrate a total mastery of their craft and, as major influences, they perfectly capture a message that speaks to us.

This moodboard illustrates my 'Convalescence' collection, developed during my third year at IFA Paris. The program focused on creating a collection from A to Z. The first phase was dedicated to design: research, fabric experimentation, and volume studies, alongside developing personalized silhouettes and a lookbook. In parallel, we had pattern-making sessions twice a week to bring the garments to life.

This is my collection line-up, featuring 30 selected looks.

Look 2

Technical sheet and the bill of material lists all the elements needed to manufacture the product.

Technical sheet and the bill of material lists all the elements needed to manufacture the product.

Technical sheet and the bill of material lists all the elements needed to manufacture the product.

Exploring 3D volumes is central to my design identity. I use this stage to redefine classic silhouettes, experimenting with canvas and knitwear to find the perfect fit. Working directly on the Stockman allows me to refine the proportions and understand the garment’s movement on the human form. This hands-on approach gave my project its true direction.

During my first year, I discovered the art of textile manipulation and surface effects. Since my very first experiments, this highly creative approach has become central to my design process, constantly revealing new techniques and possibilities. I have explored a wide range of materials and crafts, including latex, embroidery, pleating, crochet, and knitwear. I also enjoy experimenting with more unconventional methods, such as wax manipulation, molding on calfskin, and creating authentic rust effects through the oxidation of found objects.